She wanted to do something to change this bias and felt that her feelings could be communicated through strong vocals and lyrics.ĭreaming ke pressure cooker ki seeti ko bajne do, mere hauslon ke shank nath ko bajne do is a song that the band composed about women empowerment, which encourages young women to shed societal pressures and limitations and follow their dreams and passions. A driving Indian world beat song with traditional Indian instruments like bansuri flute, tanpura, santur, tumbi and different percussion instruments.
The motivation behind the band was when Lead Vocalist and lyricist Jaya Tiwari noticed that a lot of boy babies were getting adopted but there were no takers for girl babies. So far, they have composed over 70 songs, and have been supporting the education of underprivileged girls in the area. Most of their songs are about women empowerment, gender equality and against domestic violence and female foeticide. Meri Zindagi is an all-women band formed in 2010 in Lucknow. SocialStory brings you five bands that have fans enthralled with their social message: Meri Zindagi
Some Indian bands are effectively turning their lens on present-day India and its many issues of community violence, patriarchy, rape and female abuse, and even social inequality and the hierarchy still prevalent in our society today. And music can be a great vessel for social activism as well, which does not have to be portrayed through just acts of noble justice, writing or art. Gaana offers you free, unlimited access to over 30 million Hindi Songs, Bollywood Music, English MP3. It has been psychologically proven that music can also effectively trigger your present mood state. Gaana is the one-stop solution for all your music needs. Music is a powerful medium through which we can express some of our deepest emotions.
Indian song free#
From time immemorial, music has been a go-to medium for scores of generations to express their anger about social evils and injustice, as well as instil hope in a tomorrow free of such shackles.
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